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Sebastian Wolff was born in Stuttgart, Germany, on August 6, 1988. He became interested in piano upon watching his parents play. He began taking lessons at the age of 5 and studied almost exclusively classical music. In 2004, the soundtracks of popular video games such as Final Fantasy and Kingdom Hearts caught his attention as well as a set of famed pieces by Nobuo Uematsu, Yoko Shimomura and many other contemporary composers. He had always enjoyed emulating melodies on the piano and with such a varied selection of great music to choose from, he began to improvise. Sebastian is currently perusing a double major at the University of California in Santa Cruz in Film and Music. In his spare time, he plays piano, programs, or works on the animated film Wolf. His experience with films goes back to high school where he took every chance he could to follow his passion. Besides ensuring high-quality DVD recordings of school plays, he worked on several short films, one of which won first place at the Moondance Student Film Festival in Sonoma County and placed second in the Parting Shots Film Festival for the drama category. Sebastian is a connoisseur of editing and digital mediums of all sorts; Adobe Premiere, Adobe AfterEffects, Particle Illusion, and an array of other programs are second nature to him and he uses them to up the quality of his work. Main Influences: Hans Zimmer, John Williams, Danny Elfman, James Horner, Chopin, Sergei Rachmaninoff, Bond, Philip Glass, Ryan Stewart, Marin Leung (Video Game Pianist), Kyle Landry... If you have any questions, you may email him at .
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Click any question to show or hide the answer.
Q: What's with the fish/name?
A: Uhm. The fish is a simplified version of a seabass; the animal congruent with my online identity of "GermanSeabass." The "German" I owe to my heritage and the fact that I grew up in Southern Germany (Baden-Württemberg). The "Seabass" part... I'm not too sure about. Someone in 8th grade started calling me that and the name stuck. Yay marine life.
Q: How long have you played piano?
A: I started playing when I was five due to being inspired by my parents who played at the time. I took the standard classical approach until I discovered there was more to Beethoven and Mozart, arpeggios and scales and switched to Final Fantasy and game music, all thanks to Nobuo Uematsu.
Q: What brand of piano do you have?
A: It's a German-made upright piano; a "Schimmel," which strangely translates to "mold." Go figure~
Q: Teach me piano!
A: Hmm, that's not really a question...
To start learning the piano .. hm. Well, I started out with a teacher, but I know many people who taught themselves. I still take private lessons, on a bi-weekly schedule. When I started with lessons though, my teacher came once a week. It doesn't really matter what schedule you're on, but having a teacher check on your status is recommendable.
If you listen to music and have a general understanding of beats, rhythm and all those other aspects of music, you have a head start. And having time is always a plus. Money's an even bigger plus, as you'll need to invest in some kind of keyboard or piano if you don't have one.
The brand of piano really isn't important. I would love to play on a Steinway Grand piano (one of the best pianos available) but they're around $40,000 - as in, too much for a high school student. I play on an upright Schimmel piano ? a very good piano; made in Germany. But it really doesn't matter what type of piano it is you play on, as long as it's in tune. If you're considering getting a keyboard, make sure that it is touch-sensitive. Normal keyboards don't differentiate between different kinds of pressure you apply, so no matter how hard or soft you press the key, you will get the same volume level. A touch-sensitive keyboard, however, is more like an actual piano: it gives a louder sound if you press harder on the key.
About the actual piano playing part: it essentially comes down to what style of music you enjoy; what type of music you would play? There's a big difference if you're going to be a keyboardist for a band, an accompanist for an orchestra, the lead in a jazz band, or just a solo pianist. The style is different, but all of these have the same basis: a general understanding of music.
There's the theoretical approach: analyzing music and discovering what sounds fit best together to create a specific mood. This involves boring theory (which I also have to learn ... grumble) but it does actually help - especially with impro#faq0" onclick="visation and composition. And then there's the more practical approach (my preference) of sitting down and simply playing and enjoying the instrument. Sadly, this stage didn't occur to me until 2 or 3 years ago, as you need to have a strong foundation in an instrument as complex as the piano to play freely [improvise] and without sheet music.
Final thoughts... it's a cliché'd line, but "practice, practice, practice." I spend around 2-3 hours a day playing/practicing piano. For professionals, this time ranges between 8 and 10 or more. But I'm serious: the more you play, the better you become. And also: be persistent. If you want to play, you will need to keep it up, even if things come up. Never stop playing, as it will be a gift for the future. I know my talent (sorry for sounding a tad cocky) will help me in the future, and I greatly enjoy being able to perform things like the Kingdom Hearts medley and being able to share it with others.
My recommendation: dig up some numbers in the phone book or ask around for a good piano teacher (good doesn't necessarily mean expensive!). They will be able to give you a general understanding of the instrument, and help you with the skills associated with learning it. If a teacher doesn't work out, there are music stores filled with tutorial books that guide you through the same process.... there are many ways to learn, and I've only mentioned a few. I hope you'll find something that works for you.
Q: How do you sight-read?
A: I get this pretty often; and it\'s not really something you can teach online. The best answer I\'ve found to this is right here: http://library.thinkquest.org/13734/lesson/lesson1.html - this page and all subsequent lessons. Furthermore, I recommend a piano teacher- online tutorials can only do so much.
If you have any other questions, Contact Me or see the forum!
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| If you have any other questions, Contact Me or see the forum! |
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I offer many of my songs for download free of charge, because at the moment I'd rather be heard than paid. If I can be both, that's even better. If you've come this far, it means that you care enough to at least think about the option of paying for music you could easily get for free. I urge you to go ahead with your plan, you will not be sorry. There's a lot of talk these days about how music should be delivered, what it should cost and who should get paid. This is sort of an experiment to see if someone like me with no backing and no patience for self-promotion, can make any money at all by sitting around and writing and arranging silly songs. I hope the answer is yes, because I'm tired of working.
Text stolen from the amazing Jonathan Coulton. While the cake is a lie, his talent isn't.
People who have donated:
E'jessica Castillo
Frank H Willard III
Other anonymous donors
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